Paul O’Mahony

Paul O’Mahony  /  Set Design

Paul trained in Fine Art and Production Design at Dún Laoghaire IADT followed by a Postgraduate at Motley Theatre Design Course, London.

Previous designs for Landmark include Breaking Dad, Underneath the Lintel and Talk of the Town (co-production with Hatch Theatre Company and Dublin Theatre Festival). Last year he designed the set for Futureproof at The Everyman during Cork Midsummer Festival.

Other theatre set designs includes Look Backing in Anger, Wuthering Heights, The Vortex, An Enemy of the People, Little Women, Faith Healer (Gate Theatre), The Wake, Town is Dead, Hedda Gabler, Major Barbara, The House, Pygmalion, Macbeth, The Seafarer, Fool for Love, Saved, Blue/Orange (Abbey Theatre); Nora, The Seagull (Corn Exchange); Love and Money, Further Than the Furthest Thing, Pyrenees, Blood, The Country (Hatch); The Importance of Being Earnest, Solemn Mass for a Full Moon in Summer, Is this About Sex?, Don Carlos (Rough Magic); This is Our Youth, Wedding Day at the Cro-Magnon’s, Roberto Zucco, This is Not a Life, Pale Angel, Self-Accusation (Bedrock Productions); Medea (Siren Productions).

He has also designed for Lyric Theatre Belfast, Everyman Liverpool, The Ark/ Theatre Lovett, Calipo, Peer to Peer, Prime Cut Productions, b*spoke, Upstate, Cork Opera House, CoisCéim Dance Theatre, and The Lír.

Opera credits include Dubliners, Acis and Galatea (Opera Theatre Company); Rusalka (Lyric Opera).