Paul O’Mahony / Set Design
Paul trained in Fine Art and Production Design at Dún Laoghaire IADT followed by a postgraduate degree at Motley Theatre Design Course, London.
Previous designs for Landmark include Breaking Dad, Underneath the Lintel and The Talk of the Town (a co-production with Hatch Theatre Company and Dublin Theatre Festival).
Other theatre set designs includes Futureproof (The Everyman); Look Back in Anger, Wuthering Heights, The Vortex, An Enemy of the People, Little Women and Faith Healer (Gate Theatre); The Wake, Town is Dead, Hedda Gabler, Major Barbara, The House, Pygmalion, Macbeth, The Seafarer, Fool for Love, Saved and Blue/Orange (Abbey Theatre); Nora and The Seagull (Corn Exchange); Love and Money, Further Than the Furthest Thing, Pyrenees, Blood and The Country (Hatch); The Importance of Being Earnest, Solemn Mass for a Full Moon in Summer, Is this About Sex? and Don Carlos (Rough Magic); This is Our Youth, Wedding Day at the Cro-Magnons, Roberto Zucco, This is Not a Life, Pale Angel and Self-Accusation (Bedrock Productions) and Medea (Siren Productions).
He has also designed for the Lyric Theatre Belfast, Everyman Liverpool, The Ark/ Theatre Lovett, Calipo, Peer to Peer, Prime Cut Productions, b*spoke, Upstate, Cork Opera House, CoisCéim Dance Theatre and The Lir.
Opera credits include Dubliners and Acis and Galatea (Opera Theatre Company) and Rusalka (Lyric Opera).