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Paul O’Mahony  /  Set Design

Paul trained in Fine Art and Production Design at Dún Laoghaire IADT followed by a postgraduate degree at Motley Theatre Design Course, London.

Previous designs for Landmark include Breaking DadUnderneath the Lintel and The Talk of the Town (a co-production with Hatch Theatre Company and Dublin Theatre Festival).

Other theatre set designs includes Futureproof (The Everyman); Look Back in AngerWuthering HeightsThe VortexAn Enemy of the PeopleLittle Women and Faith Healer (Gate Theatre); The WakeTown is DeadHedda GablerMajor BarbaraThe HousePygmalion, MacbethThe Seafarer, Fool for LoveSaved and Blue/Orange (Abbey Theatre); Nora and The Seagull (Corn Exchange); Love and MoneyFurther Than the Furthest Thing, PyreneesBlood and The Country (Hatch); The Importance of Being EarnestSolemn Mass for a Full Moon in SummerIs this About Sex? and Don Carlos (Rough Magic); This is Our YouthWedding Day at the Cro-Magnons, Roberto ZuccoThis is Not a LifePale Angel and Self-Accusation (Bedrock Productions) and Medea (Siren Productions).

He has also designed for the Lyric Theatre Belfast, Everyman Liverpool, The Ark/ Theatre Lovett, Calipo, Peer to Peer, Prime Cut Productions, b*spoke, Upstate, Cork Opera House, CoisCéim Dance Theatre and The Lir.

Opera credits include Dubliners and Acis and Galatea (Opera Theatre Company) and Rusalka (Lyric Opera).