Paul O’Mahony / Set Design
Previous designs for Landmark include Breaking Dad, Underneath the Lintel and The Talk of the Town (a co-production with Hatch Theatre Company and Dublin Theatre Festival). Designs for The Everyman include Futureproof during Cork Midsummer Festival.
Other theatre designs include Look Back in Anger, Wuthering Heights, The Vortex, An Enemy of the People, Little Women, Faith Healer (Gate Theatre); The Wake, Town is Dead, Hedda Gabler, Major Barbara, The House, Pygmalion, Macbeth, The Seafarer, Fool for Love, Saved, Blue/Orange (Abbey Theatre); Nora, The Seagull (Corn Exchange); Love and Money, Further Than the Furthest Thing, Pyrenees, Blood, The Country (Hatch); The Importance of Being Earnest, Solemn Mass for a Full Moon in Summer, Is this About Sex?, Don Carlos (Rough Magic); This is Our Youth, Wedding Day at the Cro-Magnons, Roberto Zucco, This is Not a Life, Pale Angel, Self-Accusation (Bedrock Productions); and Medea (Siren Productions). Operas include Dubliners and Acis and Galatea (Opera Theatre Company); and Rusalka (Lyric Opera).
He has also designed for the Lyric Theatre Belfast, Everyman Liverpool, The Ark/ Theatre Lovett, Calipo, Peer to Peer, Prime Cut Productions, b*spoke, Upstate, Cork Opera House, CoisCéim Dance Theatre and The Lir.
Paul trained at Motley Theatre Design Course, London.